PROFILE + Permissions > Dirty Vegas
Mar. 23rd, 2012 01:11 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
icarusmicarusThe day after the “burial”, deep within a forest on the outskirts of what was once their hometown, Hibari Kyouya watches Gokudera Hayato – Storm Guardian and Right Hand of the Vongola – from the shadows of the trees. He does not approach because lingering on the fringes and watching everything is better than staring at the coffin that Gokudera is currently slumped in front of and knowing that if he and Irie Shouichi mess this up, there really will be someone lying in there, amidst the white and sweetness of graveyard lilies. Hibari knows something that the Storm Guardian and the Rain Guardian and all the rest of them do not: the weight of the knowledge presses down on his shoulders, distinct and suffocating against his chest.
He does not know why Sawada Tsunayoshi chose him, of all people, to see things through. They are not friends, they are not close: the Vongola Decimo has his business just as much as Hibari has his, and years ago, both of them had silently agreed that it would be in their best interests to leave each other alone as much as possible. That they crossed paths more often than most should not have held any real significance either – any man worth his salt in the mafia game ends up running into him and the Foundation he leads, one way or another, because of what he knows about the box weapons. The fact that he is Sawada’s so-called “Cloud Guardian” should not matter either, for he does not think of himself in that fashion. That ring was given to him years ago; he chose to keep it for himself. That was where it began, and in his eyes, that was where it should end.
In that sense, however, he should have been the first one to move between them and outright refused. He could have done it – he’s done it before, done it constantly, in fact, since they were fifteen. The biggest mystery of that day for him – one that he still doesn’t want to think about – is that while he did not say yes, he did not say no, and that was more than enough to get Sawada to smile, thank him, and outline everything.
He hates being tied down. To chain one’s self to another person, or to be chained to them by circumstance, begets weakness. The more one ended up relying on other people, the cloudier their vision got, the harder it became for them to move. He wanted to stay above the rabble; he wanted to fly higher than anyone else. He wanted to be free of any and all obligations, because that meant he could cut loose from the shit of the world whenever he wanted.
Perhaps what he really hates, however, is the fact that even after “death”, that one person can still tell him exactly what it is that he must do and rest easy in knowing that he will do it, no matter how much he says that he won’t.
Hibari leaves as Gokudera Hayato smokes through the last cigarette in his pack. He has work to do.
OOC
Name: Kae
Contact: Dogberryism (AIM) / derridamustdie@gmail.com
Age: 26
Current Characters: Takasugi Shinsuke (Gintama), November 11 (Darker than BLACK), Rufus Shinra (Final Fantasy VII) and Roy Mustang (Fullmetal Alchemist)
IC
Name: Kyouya Hibari
Fandom: Katekyo Hitman Reborn!
History: Canon history link here
Age: 25
Canon point: Taken from Chapter 282 the manga, which is the end of the Ten Years Later Arc. He’s the future self of Hibari Kyouya – as such, where the boys go back to the present timeline, the last image we get of their older selves is them waiting for Tsuna’s future self to come around. All’s well that end’s well, or so we’ve been led to believe.
Personality:
At first glance, Hibari comes off as an ill-tempered, deathly quiet and cold man, slow to trust, sharp with wit, short on words and even shorter on patience. He’s fiercely independent, not wishing to be beholden to anyone but himself, and highly intolerant of ‘crowds’ (that, in his definition, being any gathering or more than one person beyond himself in his vicinity). Not a lot of things impress him: the aesthetics of any form of art are lost on him, he is not easily moved by charisma in the form of either sheer good looks or pretty words. He’s also pragmatic to a fault, driven by his own sense of personal economy: beyond himself and what he is out to achieve, he will swear by very little but that which he needs, and at the moment, that happens to be either greater knowledge of his craft, a better handle of his own fighting prowess, and money. As such, one can rely on him to be extremely professional – he’s not about to jeopardize his goals, and he has always believed that principles are as fluid as human beings in general are. Still, the amorality he holds on to may be troublesome, most especially for people who like to think that they have a moral backbone of sorts.
Something that may only become obvious to people later, however, is Hibari’s insatiable curiosity – he’s out to understand both himself and the world he is in, in as much as he knows that it is impossible to know everything perfectly. The moment something or someone piques him, Hibari will sniff around and poke about, read the thing before him, see what makes that person or thing tick, to better understand in order to dismantle or reassemble said target of interest accordingly. Odd, that someone like him who seems so intolerant of human company and also seems to function on instinct could actually be that sharp or immersed within his own milieu. There’s a direction to this drive, of course: given everything that has happened over the past ten years (i.e. doing box weapon research, realizing that the herbivores he knew as a teen were worthy fighters, acknowledging the fact that he’s more than just a human Weapon and that there’s more to the world than it being full of really annoying crowds, coming face-to-face with an enemy as immensely powerful as Byakuran), it’s only natural that he’d want to ground himself in something without compromising his natural predisposition towards flying higher than anything else.
Hibari pushes himself because he has an acute sense both of human imperfection and the uncanny talent human beings have for making the impossible possible. As such, he firmly believes that imperfection is the door to infinity – in acknowledging one’s flaws and constantly seeking to expand beyond what one has in order to break the limitations that the world or one’s self places upon one’s shoulders, one can fulfill his purpose. Suffice to say, people in general don’t seem to share this philosophy, and the fact that they settle for what Hibari counts for as mediocrity is simply unforgiveable to him.
In terms of how Hibari is with people, “antisocial” might initially come to mind, but the more proper term might be asocial: for the longest time, human beings and human affairs did not interest him at all. He’s only starting to see the value of other people, and all those other pretty things about trust and shit, but old habits are hard to kick. He has the tendency to be very short on sympathy in any and all situations, and he’s probably going to be the last person you’d ever want to be stuck anywhere with for a long period of time, especially since he often does without social graces and will tell you exactly what he thinks of you or your actions and why. Furthermore, if you’re standing in between him and what needs to be done, he’ll most likely seek out the fastest way to get rid of you. Screw your excuses: you’re going down.
Hibari’s fierce sense of independence also doesn’t help. Sure, he MIGHT back you up if it interests him (or if you interest him), but he won’t expend any more effort than necessary because he’s loathe to waste his time. He’ll also be the first one to back out if there isn’t any sort of profit to be gained.
Hibari also sucks at taking care of himself, beyond the basics – he eats, drinks and sleeps like someone constantly on the move to somewhere else, and is never in one place for very long. He’s the type who thinks that the best way to take care of a fever is to sweat it out of one’s system by fighting more, and harder. It comes with not believing in the concept of slowing down, or of limits.
Overall, Hibari may look like he’s impossible to get along with and that he’s loyal to no one but himself, the man does have a very strong sense of duty, honor and responsibility when it comes to the few people or things he does care about. If he says he’s sticking by someone or a particular cause, he will. Besides, there’s nothing like a little action to spice up one’s day. He’s also a bit of a humanist, in a very odd way: wasted potential goes against everything that he believes in, and he will push people whom he deems as worthy as he sees fit, for their ultimate betterment (whether they like it or not). Power, skill and effort are three things that he respects, and he will acknowledge whoever displays them as people worth relating to, and maybe even following.
Powers/Abilities:
Petty theft, basic sabotage, intimidation, street fighting, assassination, larceny, subterfuge, tracking, investigation, handling all sorts of weapons, wielding things that shouldn’t be weapons AS weapons... you name it and Hibari has probably done it. He was Namimori’s little monster for the majority of his childhood, and ten years full of playing the mafia game while building his own institution devoted to the collection and research of incredibly powerful (and sought after) box weapons has just refined that killer instinct and uncanny pool of talents to a godly level.
Beyond the aforementioned skill set, it should be stressed that in his canon, Hibari is acknowledged as the most powerful fighter in the main group – his future self was also shown to have fearsome potential in the fights he participated in. He appears to be thrice stronger and faster than regular human beings, with willpower in spades. He doesn’t flinch from damage, and doesn’t seem to slow down in spite of grievous injury. Furthermore, he is an unrivalled master of the Cloud type of Dying Will flame, one that specializes in propagation: he is so strong in this aspect, in fact, that his aura shatters low-grade rings after a single use.
Although he’s all right with firearms, Hibari actually prefers using melee weapons when it comes down to it – his weapon of choice, in fact, are tonfa that he keeps within one of his box weapons, which he’s apparently skilled enough with to deflect bullets. He’s oddly aggressive, given the fact that his weapon is primarily made for defense or counter-attacking at the very most. Still, the style does work well for him. Lethally well. He’s also got a sound mind for tactics and improvisation on the battlefield… he’s a viciously rabid dog, but a highly intelligent one when it comes down to it.
At the end of the day, though, Hibari’s real ability lies in the fact that he is an intelligent weapon of a human being, a killing machine that’s sentient enough to need very little direction in order to do what must be done. He is capable of seeing anything and everything, even other human beings with all of their thought and skill sets and emotions, as a sum of parts, and the moment he determines how best to break them, it is usually over very quickly.
Types of sex I am OK with: Oral, anal, noncon/dubcon, S&M play
Kinks or practices I enjoy: Bondage, toys, blood play, abrasions, burning, biting, breath control/choking, discipline, flogging/whipping/paddling, ice
Types of sex I'm not OK with: Vore, wet & messy, watersports and similar things
Kinks or practices I don't enjoy: Mutilation/amputation/castration, enemas, diapers, scat, swallowing feces/urine/vomit
Willing to write rape or dubcon?: Yep.
Is fade to black OK?: Yes!
If there's anything you've got in mind but you're not sure whether I'm good with it or not, just ask! I'm usually open to whatever.
He does not know why Sawada Tsunayoshi chose him, of all people, to see things through. They are not friends, they are not close: the Vongola Decimo has his business just as much as Hibari has his, and years ago, both of them had silently agreed that it would be in their best interests to leave each other alone as much as possible. That they crossed paths more often than most should not have held any real significance either – any man worth his salt in the mafia game ends up running into him and the Foundation he leads, one way or another, because of what he knows about the box weapons. The fact that he is Sawada’s so-called “Cloud Guardian” should not matter either, for he does not think of himself in that fashion. That ring was given to him years ago; he chose to keep it for himself. That was where it began, and in his eyes, that was where it should end.
In that sense, however, he should have been the first one to move between them and outright refused. He could have done it – he’s done it before, done it constantly, in fact, since they were fifteen. The biggest mystery of that day for him – one that he still doesn’t want to think about – is that while he did not say yes, he did not say no, and that was more than enough to get Sawada to smile, thank him, and outline everything.
He hates being tied down. To chain one’s self to another person, or to be chained to them by circumstance, begets weakness. The more one ended up relying on other people, the cloudier their vision got, the harder it became for them to move. He wanted to stay above the rabble; he wanted to fly higher than anyone else. He wanted to be free of any and all obligations, because that meant he could cut loose from the shit of the world whenever he wanted.
Perhaps what he really hates, however, is the fact that even after “death”, that one person can still tell him exactly what it is that he must do and rest easy in knowing that he will do it, no matter how much he says that he won’t.
Hibari leaves as Gokudera Hayato smokes through the last cigarette in his pack. He has work to do.
OOC
Name: Kae
Contact: Dogberryism (AIM) / derridamustdie@gmail.com
Age: 26
Current Characters: Takasugi Shinsuke (Gintama), November 11 (Darker than BLACK), Rufus Shinra (Final Fantasy VII) and Roy Mustang (Fullmetal Alchemist)
IC
Name: Kyouya Hibari
Fandom: Katekyo Hitman Reborn!
History: Canon history link here
Age: 25
Canon point: Taken from Chapter 282 the manga, which is the end of the Ten Years Later Arc. He’s the future self of Hibari Kyouya – as such, where the boys go back to the present timeline, the last image we get of their older selves is them waiting for Tsuna’s future self to come around. All’s well that end’s well, or so we’ve been led to believe.
Personality:
At first glance, Hibari comes off as an ill-tempered, deathly quiet and cold man, slow to trust, sharp with wit, short on words and even shorter on patience. He’s fiercely independent, not wishing to be beholden to anyone but himself, and highly intolerant of ‘crowds’ (that, in his definition, being any gathering or more than one person beyond himself in his vicinity). Not a lot of things impress him: the aesthetics of any form of art are lost on him, he is not easily moved by charisma in the form of either sheer good looks or pretty words. He’s also pragmatic to a fault, driven by his own sense of personal economy: beyond himself and what he is out to achieve, he will swear by very little but that which he needs, and at the moment, that happens to be either greater knowledge of his craft, a better handle of his own fighting prowess, and money. As such, one can rely on him to be extremely professional – he’s not about to jeopardize his goals, and he has always believed that principles are as fluid as human beings in general are. Still, the amorality he holds on to may be troublesome, most especially for people who like to think that they have a moral backbone of sorts.
Something that may only become obvious to people later, however, is Hibari’s insatiable curiosity – he’s out to understand both himself and the world he is in, in as much as he knows that it is impossible to know everything perfectly. The moment something or someone piques him, Hibari will sniff around and poke about, read the thing before him, see what makes that person or thing tick, to better understand in order to dismantle or reassemble said target of interest accordingly. Odd, that someone like him who seems so intolerant of human company and also seems to function on instinct could actually be that sharp or immersed within his own milieu. There’s a direction to this drive, of course: given everything that has happened over the past ten years (i.e. doing box weapon research, realizing that the herbivores he knew as a teen were worthy fighters, acknowledging the fact that he’s more than just a human Weapon and that there’s more to the world than it being full of really annoying crowds, coming face-to-face with an enemy as immensely powerful as Byakuran), it’s only natural that he’d want to ground himself in something without compromising his natural predisposition towards flying higher than anything else.
Hibari pushes himself because he has an acute sense both of human imperfection and the uncanny talent human beings have for making the impossible possible. As such, he firmly believes that imperfection is the door to infinity – in acknowledging one’s flaws and constantly seeking to expand beyond what one has in order to break the limitations that the world or one’s self places upon one’s shoulders, one can fulfill his purpose. Suffice to say, people in general don’t seem to share this philosophy, and the fact that they settle for what Hibari counts for as mediocrity is simply unforgiveable to him.
In terms of how Hibari is with people, “antisocial” might initially come to mind, but the more proper term might be asocial: for the longest time, human beings and human affairs did not interest him at all. He’s only starting to see the value of other people, and all those other pretty things about trust and shit, but old habits are hard to kick. He has the tendency to be very short on sympathy in any and all situations, and he’s probably going to be the last person you’d ever want to be stuck anywhere with for a long period of time, especially since he often does without social graces and will tell you exactly what he thinks of you or your actions and why. Furthermore, if you’re standing in between him and what needs to be done, he’ll most likely seek out the fastest way to get rid of you. Screw your excuses: you’re going down.
Hibari’s fierce sense of independence also doesn’t help. Sure, he MIGHT back you up if it interests him (or if you interest him), but he won’t expend any more effort than necessary because he’s loathe to waste his time. He’ll also be the first one to back out if there isn’t any sort of profit to be gained.
Hibari also sucks at taking care of himself, beyond the basics – he eats, drinks and sleeps like someone constantly on the move to somewhere else, and is never in one place for very long. He’s the type who thinks that the best way to take care of a fever is to sweat it out of one’s system by fighting more, and harder. It comes with not believing in the concept of slowing down, or of limits.
Overall, Hibari may look like he’s impossible to get along with and that he’s loyal to no one but himself, the man does have a very strong sense of duty, honor and responsibility when it comes to the few people or things he does care about. If he says he’s sticking by someone or a particular cause, he will. Besides, there’s nothing like a little action to spice up one’s day. He’s also a bit of a humanist, in a very odd way: wasted potential goes against everything that he believes in, and he will push people whom he deems as worthy as he sees fit, for their ultimate betterment (whether they like it or not). Power, skill and effort are three things that he respects, and he will acknowledge whoever displays them as people worth relating to, and maybe even following.
Powers/Abilities:
Petty theft, basic sabotage, intimidation, street fighting, assassination, larceny, subterfuge, tracking, investigation, handling all sorts of weapons, wielding things that shouldn’t be weapons AS weapons... you name it and Hibari has probably done it. He was Namimori’s little monster for the majority of his childhood, and ten years full of playing the mafia game while building his own institution devoted to the collection and research of incredibly powerful (and sought after) box weapons has just refined that killer instinct and uncanny pool of talents to a godly level.
Beyond the aforementioned skill set, it should be stressed that in his canon, Hibari is acknowledged as the most powerful fighter in the main group – his future self was also shown to have fearsome potential in the fights he participated in. He appears to be thrice stronger and faster than regular human beings, with willpower in spades. He doesn’t flinch from damage, and doesn’t seem to slow down in spite of grievous injury. Furthermore, he is an unrivalled master of the Cloud type of Dying Will flame, one that specializes in propagation: he is so strong in this aspect, in fact, that his aura shatters low-grade rings after a single use.
Although he’s all right with firearms, Hibari actually prefers using melee weapons when it comes down to it – his weapon of choice, in fact, are tonfa that he keeps within one of his box weapons, which he’s apparently skilled enough with to deflect bullets. He’s oddly aggressive, given the fact that his weapon is primarily made for defense or counter-attacking at the very most. Still, the style does work well for him. Lethally well. He’s also got a sound mind for tactics and improvisation on the battlefield… he’s a viciously rabid dog, but a highly intelligent one when it comes down to it.
At the end of the day, though, Hibari’s real ability lies in the fact that he is an intelligent weapon of a human being, a killing machine that’s sentient enough to need very little direction in order to do what must be done. He is capable of seeing anything and everything, even other human beings with all of their thought and skill sets and emotions, as a sum of parts, and the moment he determines how best to break them, it is usually over very quickly.
Types of sex I am OK with: Oral, anal, noncon/dubcon, S&M play
Kinks or practices I enjoy: Bondage, toys, blood play, abrasions, burning, biting, breath control/choking, discipline, flogging/whipping/paddling, ice
Types of sex I'm not OK with: Vore, wet & messy, watersports and similar things
Kinks or practices I don't enjoy: Mutilation/amputation/castration, enemas, diapers, scat, swallowing feces/urine/vomit
Willing to write rape or dubcon?: Yep.
Is fade to black OK?: Yes!
If there's anything you've got in mind but you're not sure whether I'm good with it or not, just ask! I'm usually open to whatever.
